(24) Short Film Sunday #10: The Last Bookshop (2012)

The Last Bookshop (2012).

The Last Bookshop (2012) is a short film set in the future, where digital holographic entertainment has taken over physical and actual entertainment, like, books. The short film portrays this, in my opinion, dreaded future, where real books have died out. One day, the holographic computer/device fails, and a young boy is left with nothing to do, so he wanders around the streets and stumbles upon this long forgotten bookshop. In fact, as the shopkeeper states, he had his last customer 25 years ago. So, of course, the shopkeeper is excited and happily gives a pile of books to the young lad and tells him the stories of the old world, times when things were real and you could touch and smell them. The old shopkeeper even tells about one of his adventures, when he "queued up at midnight for a book about a wizard. It was the vogue.".

It is delightful little story, that reminds us, how important is physical communication with people, having first hand experience of everything (what also Whitman emphasised in his poetry), so lets not forget about it. So, pick up a book and have a reading hour with a nice cup of cocoa and go and visit some of your friends tomorrow or just smile to the stranger. Because, I certainly don't want to end up in the world where there is only one bookshop left, and even that is taken over by a mean villain named Gamazone. See for yourself how it would look!

Remember, the book can never show you an error message, it will never fail you...

(23) Encounters: Film Industry Road Map, Panel Discussion

Watershed. Bristol, UK. (Picture from: http://bristoltimes.com)

From September 17 till September 22 Encounters Short Film and Animation Festival took place in Bristol, UK. This year I didn't have a chance to attend any of the screenings, however thanks to the IdeasTap I had an opportunity to attend "The Business: Film Industry Road Map Panel Discussion" on September 18, at  the Watershed, Bristol. This was the first of that kind of discussion that I have attended, and being a skeptical person, my hopes weren't high. Obviously, they won't give you a magical formula how to break your way into the film industry, but I must admit they gave some darn good advises, and I am glad that I had a chance to attend this discussion. Therefore, I decided to share some of these advises.

But first things first, who were the panellists you are asking? The panel consisted of four very talented and hard working people and it was hosted by two members of the IdeasTap. The first and the youngest one of panellists was Rob Savage, "multi-award winning writer/director", who recently with his feature film Strings won a British Independent Film Award. One of his latest works include a music video for Dear Reader's "Took Them Away", you can watch it here. The second was Henry Beattie, who is an Acquisitions Consultant at Transmission Films, he also works in a creative development role at London based production company Montebello Productions. The third was Madeleine Probst, who is a Programme Producer at the Watershed, where the event took place. And the last, but not the least, was Gavin Humphries, who is a Producer at Quark Films. The panel discussion was hosted by Will Davies, responsible for the IdeasTap Spa (Spa as in career advice and events), and Laura McFarlane, partnership manager at the IdeasTap. They all come from different walks of life and it amazed me how many different jobs and things they have done before they got the jobs in which they are working now. Well except for Rob, who already at the age of 18 wrote, directed, shot, co-produced and edited feature film Strings, which is quite an admirable achievement.

One of the first tips they gave to the filmmakers was [#1] do your research. As in, before you approach someone with your CV, or ask to screen or distribute your film, do research and see whether the company you are getting in touch with will be interested in your product. For example, if I don't like chocolate with nuts, don't come offering me chocolate with nuts, because I will turn you down without thinking twice about it. Next, and it might seem the most obvious advice, although I would say that it is the hardest one and most time consuming of all advises: [#2] build your network. And when you meet someone somewhere and you get his or her card, don't forget about the [#3] follow up. Remind them who you are, that you are the person from the last day's party, conference or whatever. If you have aroused their interest once, don't let them forget about you. Most probably thanks to your network and connections, you will also get your first experience in your desired occupation. Remember, [#4] experience is more important than education. When watching a film and enjoying its soundtrack, script or the way it was directed, write it down, try and get in touch accordingly with the author of the script or composer or director, [#5] find your mentor. Mentors usually will help you also with building your network and gain some experience. [#6] Deliver your work on time. Don't start making up excuses why you are late, why you couldn't finish your work, just finish it, deliver it, go through with it, don't half arsed do something, do it. If somebody isn't fully happy with your idea, try and adjust it to what they want. Adjusting doesn't mean losing your own idea, it's just means being flexible and showing how creative you can be. Last but not least, [#7] always keep at least two other ideas in your pocket, if they don't like one, offer the next one.

Remember, as Madeleine Probst noted, instead of calling mistakes mistakes, call them breakthroughs. Even with a mistake you have achieved something, you have learned something new.

Finally, at the end of the discussion I asked: "How do you joggle between a full time job and get your first experience in film industry (which usually is unpaid, but it is necessary to eat and pay bills)?" The answer being: work hard, and if you are doing that, work even harder. So go out there and start working hard to prove yourself! Nothing comes easy, and the only way to get something you desire is hard work.

Good luck!

*This is the author's of the article interpretation/perception of the panel discussion, the panellists or attendees aren't directly quoted.

(22) Short Film Sunday #9: Slow Derek (2011)

Slow Derek (2011).

Today is the last day of Encounters Short Film and Animation Festival, to mark that I am presenting to you the short that received the Grand Prix, Animated Encounters, in 2011: Slow Derek. However, that is not the only award that film has won. The stop motion animation Slow Derek is directed by Dan Ojari, who is a graduate of the Royal College of Art, with an MA in Animation, he has won several awards both as a director and as an animator.

Slow Derek is an epic and fascinating tale of an office worker Derek, who "struggles with the true speed of planet Earth". The short ties together Derek's slow and mundane life with the dizzying rotation of planet Earth. It is clever and, I would dare to say, a scientific short, which leaves you thinking, how we all still hold onto this world?

Ojari described the plot of Slow Derek to shortoftheweek.com as:

"very much about relativity and the contrast between the mundane and the colossal. The starting point was after I became particularly fascinated with how fast the earth is travelling, especially because we don’t feel this speed. We are literally hurtling through space at hundreds of thousands of miles per hour and yet don’t feel a thing. I felt this was, aside from being an amazing actual fact, also was an interesting metaphor for modern day life."

Hope you enjoyed this little spellbinding short that deals with such big issues, and stop by in couple of days to read my piece on the IdeasTap organised panel discussion that was a part of this years Encounters Short Film and Animation Festival: Film Industry Road Map.